Of many problems includes one I have faced in the lab this summer: cellulose acetate degradation among early 20th century ballgowns. This problem isn't confined to artifacts considered a century old--artists Madeleine Berkhemer is included in the piece, as she struggles with the short life-span of sculptures made of nylon and spandex.
I love Madeline's work and have included some photos of her sculptures--as well as some sketches. Her use of color is so creative and aesthetically pleasing. Her sculptures mix geometric shapes with color schemes to produce lively and enjoyable installations.
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Diamond 1 |
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Ruby oval cut II |
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Pin Up 1 |
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Study for Ghibli'Palais Thum & Taxis |
Most recently she has collaborated on a project with the notorious fashion house of Christian Louboutin.
trademark red soles peek out from under a fuschia top.
Her self-titled website consists of her online portfolio as well as articles of her upcoming exhibits. I encourage you to spend some time browsing amongst the large collection of works, but to my non-francophone friends I warn you that l'ecole des carresses translates roughly to "school of touches." You've been warned.
bisous,
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